Facility
The stage.
A standing production floor in Louisville. Apartment, office, and corridor sets. Makeup, wardrobe, and a small writers’ room on the same floor. We do not rent a hotel ballroom and call it a studio.
Built for episode volume.
Short-form drama is a schedule problem as much as a picture problem. Standing sets let us turn around coverage without a company move. When a script needs the river, downtown, or a bridge, second unit leaves from the same call sheet.
- White cyclorama and dressed interiors
- Multi-cam cinema bodies, 9:16 framing as default
- On-site picture and sound
- Kentucky crew base; Nashville overflow when a series stacks
What a booking includes
From bible to master.
Development
Premise, episode map, casting sides, and a locked budget before the first shoot day.
Production
Stage, kit, crew, and locations. A named line producer. Call sheets in Eastern Time.
Delivery
Color, mix, captions, and platform masters. You sign picture lock, not a cutdown.